Scene Notes Posted on 10/30/2019 You Tube Video Placeholder In 1971, 10 years after the release of “Will You (Still) Love Me Tomorrow?,” King created her own album, Tapestry. She soon realized the 1961 hit would be a good addition to her work. In an effort to evolve the song further, King slowed the tempo and added backup vocals—provided by Joni Mitchell and James Taylor. These developments extended the rawness within the song that portrays the desperation of a woman who has been hurt before. Tapestry, embodying everything she had worked her entire life toward, solidified King’s spot as an icon in both songwriting and performing. She won the Grammys® for Album of the Year and for Best Female Pop Vocal Performance in 1972 thanks to this album. Plus, it was on Billboard’s 200 as the #1 song for 15 straight weeks in 1971. Today, there stands close to 300 cover songs based on King’s and Goffin’s “Will You (Still) Love Me Tomorrow?.” Some of the most famous covers include The Four Seasons (1965), Bryan Ferry (1993), The Bee Gees (1995), Amy Winehouse (2004), and Leslie Grace (2012). Get ready for Beautiful: The Carole King Musical at State Theatre New Jersey on Friday, November 8 at 8pm, Saturday, November 9 at 2pm and 8pm, and Sunday, November 10 at 2pm.
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"Will You Love Me Tomorrow", also known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King and originally recorded by The Shirelles. It has been recorded by many artists and was ranked among Rolling Stone 's list of The 500 Greatest Songs of All Time at #126. The song is notable for being the first song by an all-girl group to reach #1 in the United States. The song is in AABA form.[1] Contents[][hide] *1 The Shirelles' version
The Shirelles' version[edit][]In 1960, The Shirelles released their version as Scepter single 1211, with "Boys" on the B-side. The single's first pressing was labelled simply "Tomorrow", then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was "too country." She relented after a string arrangement was added. In 1961, the song went to number one on the Billboard Hot 100. However, Owens recalled on Jim Parsons' syndicated oldies radio program, Shake Rattle Showtime, that some radio stations had banned the record because they had felt the lyrics were too sexually charged. This version of the song, with session musician Gary Chester on drums, is currently ranked as the 110th greatest song of all time, as well as the best song of 1960, by Acclaimed Music.[2] The song appeared on the soundtrack of Michael Apted's Stardust. Answer songs[edit][]Bertell Dache, a black demo singer for the Brill Building songwriters, recorded an answer song entitled "Not just Tomorrow, But Always".[3] It has been erroneously claimed by some historians that Dache was a pseudonym for Epic recording artist Tony Orlando. However, an ad for United Artists Records which appeared in Billboard during 1961 featured a photo of the singer which conclusively proved this to be false. The Satintones, an early Motown group, also recorded an answer song called "Tomorrow and Always," which used the same melody as the original but initially neglected to credit King and Goffin. Following a threat of litigation, later pressings of the record included proper credit. The Satintones' versions are included in the box set "The Complete Motown Singles, Volume 1: 1959-1961." Other versions[edit][]
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