The third-person point of view is a form of storytelling in which a narrator relates all the action of their work using third-person pronouns such as "he," "she," and "they." It's the most common perspective in works of fiction. Show
There are two types of third-person point of view: omniscient, in which the narrator knows all of the thoughts and feelings of all of the characters in the story, or limited, in which the narrator relates only their own thoughts, feelings, and knowledge about various situations and the other characters. Very often, new writers feel most comfortable with a first-person perspective, perhaps because it seems familiar, but writing in the third person actually affords a writer much more freedom in how they tell the story. The third-person omniscient point of view is the most objective and trustworthy viewpoint because an all-knowing narrator is telling the story. This narrator usually has no biases or preferences and also has full knowledge of all the characters and situations. That makes it very easy to give lots of supporting details about, well, everything. If, on the other hand, the narrator is a mere mortal, then the reader can learn only what is observable by that person. The writer will have to rely on other characters expressing their thoughts and feelings since the writer won't be allowing the reader to effectively read their minds. The most important rule regarding point of view is that it must be consistent. As soon as a writer drifts from one point of view to another, the reader will pick up on it. The effect will be that the writer will lose their authority as a storyteller and surely also the reader's attention. For example, if the writer is telling the story using limited third-person narration and then suddenly tells the reader that the lover of the protagonist secretly does not love him anymore, the writer will have lost the reader. That's because it's impossible for the third-person narrator of this story to know a secret unless 1) the person who has the secret or another in-the-know character tells them, 2) they overheard someone revealing the secret, or 3) they read about it in, say, a diary.
One of the writer's jobs is to make readers feel comfortable as the writer takes them into a new world. Jane Austen's Pride and Prejudice, like many classic novels, is told from the third-person point of view. Here's a passage from the book: "When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr. Bingley before, expressed to her sister how very much she admired him. 'He is just what a young man ought to be,' said she, 'sensible, good-humored, lively; and I never saw such happy manners! So much ease, with such perfect good breeding!'" A more contemporary example is J.K. Rowling's Harry Potter series, which is written with Harry as the focus but from the point of view of someone observing him and those around him.
Third person limited point of view (or POV) is one of the most common POVs in modern fiction. What is third person limited? How can you use it effectively? Read a Ursula K. Le Guin’s definition, plus tips and examples: What is third person limited POV?Third person narration is narration using pronouns such as he, she, newer gender-neutral third person singular pronouns, or they. In this type of narration, the narrator is usually ‘a non-participating observer of the represented events’ (Oxford Reference). In other words, the narrator exists observes and reports the main events of the story. Third person limited differs from omniscient third person because the narrator is an active participant. Although the pronouns may be the same as in omniscient POV, the narrator only knows what a single person or group (the viewpoint narrator or current narrator) knows. Or, as Ursula K. Le Guin puts it in her writing guide Steering the Craft (1998), in limited third person:
[Novel coaching editor and author Romy Sommer shares additional tips on POV in our monthly webinar series – follow Now Novel on YouTube for helpful extracts and tips.] So how do you use third person limited POV well? How to use third person limited POV:
1. Use tone in limited third person narration to show feelingsThird person limited POV works well for showing how others’ actions impact your viewpoint character. Because you can only share what your viewpoint character knows or guesses, other characters’ actions keep all of their mystery. In limited third person, our guesses regarding what other characters’ private thoughts and motivations are become only as good as the narrating character’s ability to observe, describe and interpret. Example of effective tone in third person limited POVFor example, J.K. Rowling uses limited third person narration in her Harry Potter series. In Harry Potter and the Chamber of Secrets (1998), she shows how habitual mistreatment by his aunt and uncle give Harry low expectations of occasions we’d expect to be happy:
Harry doesn’t tell us his feelings directly: The tone of the limited third person narration does. It clearly is coloured by Harry’s own experience. The words ‘of course’ and ‘but to ignore it completely’ could almost be Harry’s own voice, his own thoughts in italics. Use emotive language in third person narration similarly to make your narration show narrators’ feelings. 2. Show the mystery of a limited point of viewThird person limited is a popular POV in mystery novels because when we don’t know what secondary characters are thinking and feeling explicitly, they remain an intriguing mystery. Example: Showing another character’s unknown thoughts and feelings in limited third personFor example, we could have a scene where an investigator encounters a possible murder suspect:
Here, we only know what the detective sees and guesses. We see him actively reading people’s body language and giving it meaning. Because he’s looking for a suspect, the man’s smallest gestures – movements, where he looks – seem suspicious. Yet our viewpoint character’s perspective is warped or rather shaped by his current focus – catching a culprit. The man could be wholly innocent. Third person limited lets us feel the tension of how ‘unknown’ another person – a ‘not-I’ – may be. Because we don’t know with certainty their private thoughts and opinions. 3. Show characters’ mistaken assumptionsJane Austen’s Pride and Prejudice (1813) is an excellent example of how you can use limited third person to show assumptions and the surprises they lead to. Just as the inspector in the above example assumes or imagines guilt based on telltale signs in a person’s behavior (e.g. nervous movement), your limited third person narrator can assume the worst (or best) through limited information. Example of assumption in third person limited narrationIn Pride and Prejudice, Austen uses limited third person narration to describe Elizabeth Bennet’s first impressions of her eventual love interest, Mr. Darcy. We first meet Darcy at a dance. Darcy dismisses the idea of dancing with Lizzie to his friend. Lizzie overhears:
Note the emotive language in Austen’s third person description of Darcy. He ‘dismisses’ the idea of dancing with Lizzie; ‘coldly’ withdraws. These coupled with his spoken words convey icy superiority – but this is all Lizzie’s POV, shaped by the perceived insult regarding her appeal. A Although to Lizzie Darcy ‘withdraws’ his gaze, he could just as easily be looking away out of shyness. Lizzie interprets the gesture together, however, with his indifferent-seeming words. This shows how effective limited third person can be in showing how people evaluate each other using the limited information they have. It’s only later in the novel that we see the kindness and warmth Darcy is capable of and recognize his aloof mannerisms as signs of a serious, passionate yet socially awkward character. [Discuss POV and more in an online writing group where everyone shares the same goal – finishing a novel.] 4. Contrast limited viewpoints to show contrasting experiencesIn third person limited, although your narrator occupies a limited viewpoint in the scene, showing the reader only what a single mind sees, hears, thinks and assumes, you can still alternate between viewpoint characters from section to section. The advantage of this approach is that you can show the beliefs and assumptions of multiple characters as they interact with others with partial, inherently flawed awareness.
Get helpful feedback from the Now Novel community with a free account, and pro feedback when you upgrade. JOIN NOWExample: Contrasting third person limited viewpoints in Love in the Time of CholeraGabriel Garcia Marquez uses this potential of third person limited to excellent effect in Love in the Time of Cholera (1985). His epic romance tells the story of unrequited love when two would-be lovers cross paths again much later in life. Early in the novel, Florentino Ariza confesses his love to the obsession of his youth, Fermina Daza. Yet with very poor timing – at her husband’s wake:
We see Florentino’s besotted gestures, but through the disbelieving, critical eye of Fermina. In the next chapter, we see more of his view. Florentino remembers the first time he saw Fermina:
Throughout the novel, Marquez alternates the less romantic views of Fermina and the dogged, obsessive romantic viewpoint of Florentino. The contrasts between how they interpret their encounters and the meanings they attach to them create a strong impression of two different characters with individual quirks, strengths and weaknesses. Get writing feedback on your limited third person use, and pro feedback when you upgrade your membership. |